Ads, marketing campaigns, structures, systems—the products of design—can be measured by their intentions. Intentions are integral to the problem solving process and are there to be scrutinized.
What about the products of the fine art process? Should the making of fine art be intentional. Should it be measured by its intentions? Do intentions limit its power? Can intuition be intentional? Do intentions become clear before the work is made or only after it comes to life?
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